Date: 25th June 2015
Venue: The Backroom, Greystones
Canadian songbirds, the Good Lovelies stopped by Sheffield’s intimate, The Backroom venue on the second night of their UK leg of their European Tour, playing to a full house much to their surprise.
As Canadian Folk Music award and Juno award winners, the delightful trio appears to be surprised and overwhelmed they can bring their own brand of roots music to another country and receive such a warm welcome. Sitting in the audience it’s not hard to see why they’ve made friends around the world.
The night is opened up by Rutland’s musical answer to Jack Dee. Paul McClure warms up the audience with his dry, witty humor. Not adverse to self-deprecating humor, McClure wins over the audience joking about his slow-tempo material; categorizing himself as a miserable country/ folk singer.
He delivers an entertaining set of his own material, telling stories through his songs, dedicating one in particular to his wife and another with an anecdote of how he became known as the ‘Rutland Troubadour’. What better way to start the night?
They’ve come a long way from home, having played previously around Western Europe before reaching the UK. Caroline Brooks, Kerri Ough and Sue Passmore take to the stage fresh faced and overwhelmed by their enthusiastic audience, also accompanied by their touring double bassist.
Burn The Plan is the new album and after a couple of years in the making the record is ready to unveil, with lots of new tracks airing tonight with several favorites thrown in for good measure.
Instantly reminiscent of the Dixie Chicks, their close three-part harmony is blows you away with precision and such beautiful timbre. Whilst they hold their own as modern folk/ country musicians, there are hints of old tradition in there too, with some lines and harmonies with a hint of the Andrews Sisters.
Fans may have had to wait for their latest release, but it was well worth it. Performances of Into The Dark, a song about jumping into the challenge of parenthood, gained lots of audience participation joining in with the catchy hook.
The upbeat, electronic feel of In The Morning was a definite parting of ways from their more traditional material, but executed in a subtle manner it successfully blended their core sound with something new. Kerri also brought out the Autoharp, a very traditional instrument used to give beautiful flourishes throughout the song.
As the band seamlessly switched instruments it was evident that their unique sound was homegrown, demonstrated on the track Waiting For You. Sue swapped her mandolin for a series of percussive instruments to give this track a crucial extra boost, replicating the sound on their latest recording.
When The City Settles, was a soothing interlude featuring rich lead vocals from Sue, with Kerri and Caroline providing the soulful and sweet close harmony.
Whilst the audience, were enjoying the new material, we were treated to an unaccompanied song, where instruments were left on the stage whilst the trio stepped down to the front row and delivered a Gram Parsons & Emmylou Harris number.
Rounding up the night the band left the stage following a two-song encore, performing another unaccompanied, foot-stomping version of Johnny Cash’s God’s Gonna Cut You Down and Mrs T, a song written for an ex Mother-in-Law, who was loved more than her son!
The Good Lovelies could have carried on all night, the audience still wanted more. What a comeback and what a great new sound. We’ll eagerly await their next UK visit!
– Charlie Barker
View full set of live gig images: click here.